How well did Philip Kaufman succeed in adapting Milan Kundera’s ‘unfilmable’ philosophical love story?
How do you make a film about a character who can neither move nor speak, but can only blink his left eye?
Divorce is traumatic enough without Hollywood feeling the need to laugh at it. But Danny DeVito’s deliciously dark comedy brought career highs from his cast.
Adapting James Grady’s straight forward thriller, Sydney Pollack delivered a commentary on dehumanising institutions.
Steven Benedict is a well-known radio broadcaster, college lecturer, writer, producer, and director of films and documentaries.