168. Rear Window
He was called The Master of Suspense (a title he coined himself), but for all the thrills did Alfred Hitchcock not make rom-coms wrapped inside mysteries?
He was called The Master of Suspense (a title he coined himself), but for all the thrills did Alfred Hitchcock not make rom-coms wrapped inside mysteries?
Jonathan Glazer’s film is one of the most assured debuts in cinema history. But the film has another entrance that also stands with the best of them.
When it comes to America’s military intervention in South East Asia, David Puttnam’s Oscar winner is the anomaly. Less a war picture, it’s more a love story.
Is it possible to put a new twist on a formula as old as the rom-com? Getting Amy Schumer to write the script and Judd Apatow to direct certainly gives you a head start.
Adapted from Loren Singer’s poorly reviewed best seller, Alan J. Pakula’s conspiracy thriller is a classic of assured pacing and paranoia.
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