307. Easy Rider
Upon its release, it seemed that Easy Rider typified the spirit of the nineteen-sixties. But it really should be viewed as the first film of the seventies.
Upon its release, it seemed that Easy Rider typified the spirit of the nineteen-sixties. But it really should be viewed as the first film of the seventies.
Many films enjoy exaggerated reputations, but it is almost impossible to underestimate the beauty, truth and importance of Vittorio De Sica’s Bicycle Thieves.
Rear Window, Vertigo, Blowup, Weekend, the Zapruder film and The Conversation are all to be seen and heard in Brian De Palma’s Blow Out.
How can Vikings sustain its drama? Battles are an option but what makes a good battle? It must be more than life and death.
How did a blasphemous, homosexual, Marxist, atheist manage to make the greatest film about the life of Jesus Christ?
Originally titled A Girl, a Photographer and a Beautiful April Morning, Michelangelo Antonioni’s Palme d’Or winner is still as enigmatic fifty years on.
Copyright © 2024 Steven Benedict. Icons by Wefunction. Designed by CMS installed by PixelApes