368. Andrei Rublev
Perhaps the greatest ever film about an artist, Andrei Rublev steadfastly refuses to show its subject painting let alone him holding a brush in his hand.
Perhaps the greatest ever film about an artist, Andrei Rublev steadfastly refuses to show its subject painting let alone him holding a brush in his hand.
How do you make a film about a sociopath who murders his entire extended family and still get the audience to root for him?
Widely regarded as the greatest war picture ever made, Elem Klimov’s Come and See takes its title from The Book of Revelations to deliver a vision of hell.
Released to ecstatic reviews in 1998, Steven Spielberg’s film soon suffered a backlash. Twenty-one years on it has finally come of age.
How did Wolfgang Petersen manage to get audiences to care about a bunch of Nazi sailors trying to destroy the British fleet in the North Atlantic?
Copyright © 2025 Steven Benedict. Icons by Wefunction. Designed by CMS installed by PixelApes