Archive for 'Podcasts'

Last Tango in Paris

There are several good reasons to watch Bernardo Bertolucci’s controversial Last Tango in Paris, but not all of them make for palatable viewing.

Ex Machina

What if science-fiction were not a literary genre but a political and ideological theory. If so, Alex Garland uses Ex Machina to show us how he sees the world.

Waltz with Bashir

Ari Folman’s animated documentary is different from many other films about trauma. But it is only in its final moments that it reveal its most telling truth.

Eraserhead

Five years in the making, David Lynch’s film is one of the most compelling, bewildering, original, disturbing and influential debuts in all of cinema.

Memories of Murder

By embracing every cliché of Hollywood’s serial killer genre, Bong Joon-Ho examined masculinity, institutional repression and national identity.

The Shining

In adapting Stephen King’s best-seller, Stanley Kubrick drew on a genre other than horror and used a new motif that he would repeat for the rest of his career.

Hidden

Michael Haneke asks audiences difficult questions yet never provides easy answers. When he calls his film Hidden, can we expect anything different?

Tinker Tailor Soldier Spy

If such an inscrutable character sits at the heart of John Le Carré’s labyrinthine plot, how is the adaptation such a lucid film?

Let The Right One In

The vampire genre is so ripe with themes of religion, paganism, sexuality, feminism, xenophobia and disease, did Let The Right One In break new ground?

Gravity

For a film that requires so many special effects in order to create the feeling of weightlessness, how did Alfonso Cuarón still keep Gravity so grounded?

Roma

Alfonso Cuarón has long flirted with the neorealist style. His latest masterpiece, Roma illustrates cinema is not about what you show, but how you show it.

Heat

Ever since its release in 1995, Heat has been held as the greatest ever heist movie. But it has another, completely different film living… and dying inside of it.

The Lives of Others

An examination of life in East Germany under the the terrifying control of the Stasi, The Lives of Others frustrated survivors of the totalitarian regime.

The Matrix

Science-Fiction operates in many ways; fantasy, allegory, romance, satire and speculative. Another is prophecy. Twenty years on The Matrix seems eerily prescient.

The Diary of a Chambermaid (1964)

Of the four adaptations of Octave Mirbeau’s controversial novel, Luis Buñuel’s version is by far the most faithful… and radical.

Full Metal Jacket

Many great auteurs use similar styles to explore similar themes as lesser filmmakers. The only real difference is that great auteurs are more consistent and precise.

Au revoir les enfants

Because films about childhood are often nostalgic, they are often about loss. Louis Malle’s masterful auto-biopic is about loss of an unfathomable kind.

Lost in Translation

Sofia Coppola’s Oscar-winning, off-beat romance deftly explores themes such as isolation, miscommunication and the superficiality of modern media.

The Double Life of Veronique

Krzysztof Kieślowski avoids all the clichés of doppelgängers, doubles and lookalikes to deliver a meditation on freedom.

Gladiator

Going into production, Gladiator had nothing near a finished script yet one simple change to the start of the story turned it into the greatest opera ever filmed.

Cold War

Despite its title, Cold War is not an espionage thriller. Instead, Pawel Pawlikowski loosely based it on his parents’ lives. But it’s not a biopic either. So what is it?

Edward Scissorhands

Ever wondered where snow comes from? That and all manner of other wonders – and horrors – are uncovered in Tim Burton’s classic fantasy.

Mon Oncle

Writing, producing, directing and starring in his own films Jacques Tati was a true auteur, influencing the likes of David Lynch, Tim Burton and Wes Anderson.

No Country for Old Men

While Cormac McCarthy’s acclaimed novel broke genre convention, the Coens’ adaptation is a study in audiovisual chaos.

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