401. Close Encounters of the Third Kind
For my final podcast, I look at how Steven Spielberg effectively remade his first feature, Firelight to deliver a message of hope.
Tag Archives: 2001
381. Singin’ in the Rain
Almost seventy years young, this masterpiece offers up for our modern age unexpected and pertinent meaning.
Kubrick – Before and After
This video essay examines the films that influenced Stanley Kubrick (silent cinema, European arthouse, avant-garde etc.,) as well as the many films his work has since influenced.
371. The Right Stuff
Tom Wolfe’s superb account about the early days of NASA’s space program needed filmmakers who shared a daring similar to the maverick pilots.
359. Eraserhead
Five years in the making, David Lynch’s film is one of the most compelling, bewildering, original, disturbing and influential debuts in all of cinema.
357. The Shining
In adapting Stephen King’s best-seller, Stanley Kubrick drew on a genre other than horror and used a new motif that he would repeat for the rest of his career.
353. Gravity
For a film that requires so many special effects in order to create the feeling of weightlessness, how did Alfonso Cuarón still keep Gravity so grounded?
319. 2001: A Space Odyssey
For all its groundbreaking effects and narrative innovation, this owes a debt to a romantic fantasy and a Soviet propaganda film.
311. Peeping Tom
Reviled upon its release and long out of circulation, the influence of Michael Powell’s Peeping Tom is now to be found in the most unexpected places.
301. Alien
We are told we watch horror films because they offer a vicariously thrilling, and thus safe experience. I don’t believe that. I believe horror films are instructive.
293. A Clockwork Orange
Kubrick’s controversial film remains relevant because of the Ludovico Technique’s conversion therapy: Pray Away the Gay.
287. Reds
As the US embraced Reaganomics and Hollywood found the formula for the modern blockbuster, Warren Beatty embarked on a project examining the origins of American communism.
280. Metropolis
The influence of Fritz Lang’s Metropolis extends far beyond sci-fi and can be seen in films are varied as Casablanca, An American in Paris and The Birds.
269. Great Openings – Part Three
What makes for a great opening? Character? Conflict? Poetry? Hopefully, more than something we’re supposed to just listen to.
259. THX-1138
A long time ago in a galaxy far, far away, George Lucas was an avant-garde filmmaker whose sole interest was in making highly experimental short films.
244. Great Sounds – Part Three
The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.
242. Great Sounds – Part One
The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.
239. Three Colors
Is Krzysztof Kieslowski’s trilogy only about liberty, equality and fraternity? Look again and you’ll find it also addresses fate, coincidence and co-existence.
233. “M”
In terms of genre, few films are as influential film as Fritz Lang’s M. Where would The French Connection, LA Confidential and Se7en be without it?
224. Citizen Kane
Orson Welles’ debut feature is now a quarter of a century old. Have we been taking its greatness for granted or is it time for reappraisal?
198. Reel Space/Time – Part Two
In his Poetics, Aristotle wrote that drama needs a unity of space, time and action. How does cinema deal with such restrictions?
170. My Darling Clementine
John Ford made so many great westerns, he is synonymous with the genre. But that doesn’t mean he always got everything right.
161. Dr. Strangelove
Until 1964, Stanley Kubrick had suffered years of set-backs, disappointments and frustration. But he made his reputation with this satire on nuclear war.
147. The Case for the Courtroom Drama
Of all the genres, the courtroom is perhaps the one most beset by clichés. So is there any evidence for a few masterpieces?
