If the dream sequence is a crutch for many dull thrillers, horrors and mysteries, what makes a good one? One that challenges and stretches cinematic language.
Tag Archives: 8 1/2
The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.
If writers are told to write from experience, is Charlie Kaufman’s adaptation of Susan Orlean’s non-fiction book not really Kaufman’s autobiography?