378. 4 Months, 3 Weeks and 2 Days
Cristian Mungiu won the Palme d’Or for his unflinching drama about a single day in the lives of two young women.
Cristian Mungiu won the Palme d’Or for his unflinching drama about a single day in the lives of two young women.
Mindhunter marks the fourth time David Fincher has depicted serial-killers. Far from resorting to tired clichés, with the second season he has again broken new ground.
Few film songs come anywhere near the layered meanings of Falling in Love Again, sung by Marlene Dietrich in Josef von Sternberg’s The Blue Angel.
How did Wolfgang Petersen manage to get audiences to care about a bunch of Nazi sailors trying to destroy the British fleet in the North Atlantic?
Five years in the making, David Lynch’s film is one of the most compelling, bewildering, original, disturbing and influential debuts in all of cinema.
Of the four adaptations of Octave Mirbeau’s controversial novel, Luis Buñuel’s version is by far the most faithful… and radical.
Going into production, Gladiator had nothing near a finished script yet one simple change to the start of the story turned it into the greatest opera ever filmed.
We are told we watch horror films because they offer a vicariously thrilling, and thus safe experience. I don’t believe that. I believe horror films are instructive.
Are classics always instantly recognized? If ever there were proof that critics cannot assess a film’s merits on a single viewing, it is Ridley Scott’s masterpiece.
The Oscar-winning Thelma & Louise was released in 1991 to a storm of controversy. Did it warrant it then and does it hold up to scrutiny now?
The Cabinet of Dr. Caligari’s influence is so great it reaches far beyond horror and into sci-fi, thrillers, and historical romances.
If you need three things to make a good film; a good script, a good script and a good script, how did Nicolas Roeg make a masterpiece from just fourteen pages?
The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.
Science-fiction sometimes predicts the future. Released a decade ago, Alfonso Cuarón’s Children of Men grows more prophetic as the years go by.
James Cameron took a risk in tackling a sequel to Ridley Scott’s Alien. But his follow-up added other elements to the sci-fi/horror: action, adventure and all out war.
Most action films are fuelled by testosterone. But Fury Road has so much estrogen coursing in its engines, let’s call it Mad Maxine.
This extended video-essay charts the development and possible future of the America movie trailer. Beginning in 1912, taking in the coming of television and suggesting where it might go in the age of the internet.
Because The Terminator is not about a cyborg but a resilient woman, James Cameron’s landmark film presented him as a unique feminist.
Gravity was one of last year’s biggest hits ($650m). But how much of that is due to critics giving it 98% approval? Is word of mouth more valuable?
All industries need profits to survive. So why do so many Hollywood films castigate wealth and capitalism?
This video-essay on Ridley Scott’s Alien examines the origins of horror and science-fiction and uses them to illustrate the disparate themes, ideas and influences that came to bear on the film’s creation.
Originally, surrealism set out to shock. But it has become such a normal element in cinema, has it lost its original power?
LA Confidential is adapted from James Ellroy’s highly regarded crime novel that spans seven scandalous years in the life of Los Angeles.
The first trailer dates from 1912 and ever since then, they have been carefully refined to make sure that they attract the right audience.
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