The Gordon Willis Frame
Gordon Willis was one of cinema’s greatest artists. Regardless of genre, his style and technique were so singular he should be regarded as a cinematrograph-auteur.
Gordon Willis was one of cinema’s greatest artists. Regardless of genre, his style and technique were so singular he should be regarded as a cinematrograph-auteur.
With this modernist masterpiece, Michelangelo Antonioni told a story that abandoned its initial plot. Booed at Cannes, it paved the way for a new cinematic form.
Whether it be ethically, legally, politically, geographically or even chemically, Michael Mann’s multi-Oscar nominated picture is about crossing the line.
Mindhunter marks the fourth time David Fincher has depicted serial-killers. Far from resorting to tired clichés, with the second season he has again broken new ground.
An exposé of life in East Germany under the Stasi, The Lives of Others still frustrated survivors of the totalitarian regime.
When a film breaks with tradition, it is often rejected by audiences. Which may be why Zodiac was not initially recognised as the groundbreaking masterpiece it is.
Upon its release, Munich was attacked for historical inaccuracy, political naivety and moral equivalency. But it is one of Spielberg’s greatest works.
Elio Petri’s bitterly satirical Oscar winner from 1970 cuts a stark picture of today’s political leaders.
Woody Allen’s romantic drama draws from unusual sources; the Great American Songbook, Italian opera and Russian literature.
When we think of American cinema in the seventies, all too often we all too quickly think of the great directors. But what of the cinematograph-auteurs?
The Cabinet of Dr. Caligari’s influence is so great it reaches far beyond horror and into sci-fi, thrillers, and historical romances.
All films begin at a keyboard. But whether the film is about screenwriters, journalists, novelists or composers, how does cinema depict the art of writing?
With its progressive attitude toward gender and sexuality, is Alan J Pakula’s 1971 film more a character study than it is a psychological thriller?
Spotlight is more than just an investigation into the child abuse scandals that riddled Boston’s Archdiocese. It is an examination of the institutions we create.
Sidney Lumet hadn’t read Barry Reed’s novel when he brought it to the screen. Instead, he let David Mamet’s masterful screenplay be his guide.
Written by Ben Affleck and Matt Damon to launch their acting careers, the studio wanted Leonardo DiCaprio and Brad Pitt.
Before the Devil wore Prada, there was Working Girl, a fairytale in New York about big hair, big shoulder pads and even bigger dreams.
With 4 Oscars and over $548m at the box-office, Butch Cassidy and the Sundance Kid remains the most popular western ever made.
Nora Ephron left behind a formidable legacy of films. While most of them were romantic comedies, her impact was wider than just one genre.
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