The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.
Tag Archives: Apocalypse Now
In a career that spanned over sixty years, forty films and a dozen masterpieces, Persona is the most unusual film in Ingmar Bergman’s canon.
Few films are as layered as The Conformist. But whether you see it as an exercise in style, character study, or philosophical thesis, it’s a flat out masterpiece.
The films that really changed the course of cinema are often ones few people have seen.
Francis Ford Coppola’s radical adaptation of Joseph Conrad’s novella is one of the most astonishing achievements in the entire history of cinema.
The Searchers is both a cinematic monument and an extremely unsettling depiction of the racism that lies at the heart of America’s own mythology.
This short video-essay position Ingmar Bergman’s Persona in terms of what came after it and what went before. It shows how Bergman visualised his central theme of identity.
This extended video-essay examines the application of colour in production design from A Voyage to the Moon and Ben-Hur through to Avatar and Gravity.
Clint Eastwood’s latest film has earned 6 Oscar nominations and is breaking box-office records. But does it deserve all the controversy it is generating?
He may be responsible for The Godfather pictures and Apocalypse Now, but Francis Ford Coppola maintains his best film is The Conversation.
When it was released, Fight Club was rubbished by critics and rejected by audiences. Now it’s regarded as a masterpiece. So what changed people’s minds?
Heaven’s Gate was such a flop, it sank a studio. But in the years since its release, its reputation has been growing. Is it the masterpiece some people claim?
How much does the Pentagon help Hollywood? Is Hollywood just the Pentagon’s mouthpiece?
There is more to James Bond than dry martinis, guns, gadgets and girls. His biggest contribution to cinema is the Set-Piece.
Unforgiven was only the third western to win the Oscar for Best Picture. Despite the small field, that doesn’t stop it from being an American classic.
Voice-over is often used to seal up the cracks in a story. But used well, it can enhance a story and make sure that it is told in a way that is uniquely cinematic.
Oliver Stone spent over a decade trying to make a film based on his experiences in Vietnam. Financed on a shoestring, Platoon won four Oscars including Best Picture.