400. The 400 Blows
In January 1954, Francois Truffaut wrote a landmark essay on film criticism. Five years later, he put his theory into practice and cinema never been the same since.
In January 1954, Francois Truffaut wrote a landmark essay on film criticism. Five years later, he put his theory into practice and cinema never been the same since.
In adapting Stephen King’s best-seller, Stanley Kubrick drew on a genre other than horror and used a new motif that he would repeat for the rest of his career.
Francois Truffaut created the auteur theory, and with Day for Night he delivered a tribute to the art form without which he felt his life could not make sense.
Fellini’s masterpiece is often described as a film about not being able to make a film. But really it is about responsibility, liability, lying, loving and living.
Animation is not a genre, and not all cartoons are for children. So how did Hayao Miyazaki deliver a classic family film with so much adult content?
Best known for his crime dramas, Martin Scorsese’s adaptation of Edith Wharton’s romantic novel is one of his most incisive works.
If writers are told to write from experience, is Charlie Kaufman’s adaptation of Susan Orlean’s non-fiction book not really Kaufman’s autobiography?
Wes Anderson may share his surname with other directors, but there’s no mistaking his films for anybody elses.
Rosemary’s Baby was controversial before it was made. Inspired by a real-life Satanist, a sinister aura has hung around it ever since its release in 1968.
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