353. Gravity
For a film that requires so many special effects in order to create the feeling of weightlessness, how did Alfonso Cuarón still keep Gravity so grounded?
For a film that requires so many special effects in order to create the feeling of weightlessness, how did Alfonso Cuarón still keep Gravity so grounded?
Orson Welles’ debut feature is now a quarter of a century old. Have we been taking its greatness for granted or is it time for reappraisal?
James Cameron took a risk in tackling a sequel to Ridley Scott’s Alien. But his follow-up added other elements to the sci-fi/horror: action, adventure and all out war.
This extended video-essay examines the application of colour in production design from A Voyage to the Moon and Ben-Hur through to Avatar and Gravity.
Because The Terminator is not about a cyborg but a resilient woman, James Cameron’s landmark film presented him as a unique feminist.
It’s called The Fabulous Baker Boys, but it was Michelle Pfeiffer’s Oscar nominated performance that earned the film its adjective.
Copyright © 2024 Steven Benedict. Icons by Wefunction. Designed by CMS installed by PixelApes