394. Amarcord
Like many Fellini films, Amarcord is a contradiction; an account of his youth yet a complete fabrication, a vivid realisation of the past, but also a dream.
Like many Fellini films, Amarcord is a contradiction; an account of his youth yet a complete fabrication, a vivid realisation of the past, but also a dream.
Matteo Garrone’s adaptation of Roberto Saviano’s book on the Neapolitan camorra smacks down the innumerable movies that have marketed the Mafia mythology.
When a filmmaker enters the realm of autobiography, the result is all too often soaked in nostalgia. Bruce Robinson’s Withnail & I is fermented in fine wine.
Some of the best films have so much plot they are very difficult to sum up. Others give you too little. Barry Levinson’s classic serves you french fries and gravy.
Robin Williams was a force of nature the likes of which cinema had never seen. But what drove him to those incredible heights and then to the ultimate depth?
Belonging to a tradition that dates back to Rebel Without a Cause, Richard Linklater’s early masterpiece also owes some debt of gratitude to Robert Altman.
Once upon a time, in a galaxy far, far away, George Lucas built his own cinema empire. But American Graffiti, made in his hometown, is his masterpiece.
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