The Godfather Trilogy
Adapting Mario Puzo’s best-selling novel, Francis Ford Coppola drew up several themes lying dormant within its pages and augmented them in a uniquely cinematic fashion to create a masterful saga.
Adapting Mario Puzo’s best-selling novel, Francis Ford Coppola drew up several themes lying dormant within its pages and augmented them in a uniquely cinematic fashion to create a masterful saga.
Matteo Garrone’s adaptation of Roberto Saviano’s book on the Neapolitan camorra smacks down the innumerable movies that have marketed the Mafia mythology.
Krzysztof Kieślowski avoids all the clichés of doppelgängers, doubles and lookalikes to deliver a meditation on freedom.
Once “too revolutionary”, Dziga Vertov’s avant-garde masterpiece is now felt in Man on Fire, Ratatouille and Inception.
Sergei Eisenstein devised montage for black and white and silent film. How have sound, colour and digital extended his theories?
Reviled upon its release and long out of circulation, the influence of Michael Powell’s Peeping Tom is now to be found in the most unexpected places.
Rear Window, Vertigo, Blowup, Weekend, the Zapruder film and The Conversation are all to be seen and heard in Brian De Palma’s Blow Out.
Originally titled A Girl, a Photographer and a Beautiful April Morning, Michelangelo Antonioni’s Palme d’Or winner is still as enigmatic fifty years on.
Jonathan Demme’s film is a classic because its Little Red Riding Hood plot mines the moral depths of its central characters.
This is a short video-essay examining the power shift in Vikings’ Season 5. Which of Ragnar’s sons will succeed him to the throne?
Taxi Driver was written in ten days by first-time screenwriter, Paul Schrader as a means to exorcise his festering, masochistic, narcissistic anger.
What makes for a great opening? Character? Conflict? Poetry? Hopefully, more than something we’re supposed to just look at.
What makes for a great shot? Beauty? The lens? Lighting? Combine them and you have more than just an image.
The films that really changed the course of cinema are often ones few people have seen.
How do you make a film about a character who can neither move nor speak, but can only blink his left eye?
Earning 5 Oscar nominations and $600m around the globe, the success (and controversy) of Fatal Attraction should be squarely laid at the feet of its producers.
The studios didn’t like the script and no one wanted to play the heroic Treasury Agent, Eliot Ness. So how did The Untouchables turn out to be such a success?
Some films generate controversy, but Alan Parker’s Angel Heart was creating quite a stir even before it was released. Was it worth the trouble?
By no means the first teen-drama, The Breakfast Club is not just a landmark film for teenagers. It’s essential viewing for adults and teachers as well.
The original Scarface was released in 1932. In 1983, Brian De Palma directed Al Pacino in an update scripted by Oliver Stone. Are ‘remakes’ always bad?
With over 400 film scores, Ennio Morricone has worked across many genres and with many of directors, yet has maintained his own inimitable sound.
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