342. Cold War
Despite its title, Cold War is not an espionage thriller. Instead, Pawel Pawlikowski loosely based it on his parents’ lives. But it’s not a biopic either. So what is it?
Despite its title, Cold War is not an espionage thriller. Instead, Pawel Pawlikowski loosely based it on his parents’ lives. But it’s not a biopic either. So what is it?
Max Ophuls’ adaptation of Stefan Zweig’s novella is more than a romance; it explores memory, delusion and the meaning of art.
Described as the most evil film ever made, Henri George Clouzot’s masterpiece resembles Hemingway, Hitchcock, neo-realism and Casablanca.
As the US embraced Reaganomics and Hollywood found the formula for the modern blockbuster, Warren Beatty embarked on a project examining the origins of American communism.
The influence of Fritz Lang’s Metropolis extends far beyond sci-fi and can be seen in films are varied as Casablanca, An American in Paris and The Birds.
The Cabinet of Dr. Caligari’s influence is so great it reaches far beyond horror and into sci-fi, thrillers, and historical romances.
John Huston’s film of Dashiell Hammett’s classic novel was the third adaptation. How did he succeed where others had failed?
Orson Welles’ debut feature is now a quarter of a century old. Have we been taking its greatness for granted or is it time for reappraisal?
What makes for a great scene? Performance? Conflict? Dialogue? Visuals? Music? Combine them and you have atomic weight.
This extended video-essay charts the development and possible future of the America movie trailer. Beginning in 1912, taking in the coming of television and suggesting where it might go in the age of the internet.
Gravity was one of last year’s biggest hits ($650m). But how much of that is due to critics giving it 98% approval? Is word of mouth more valuable?
Lyrical language and elliptical plotting can work in a novel, but not necessarily in cinema. Does The English Patient succeed?
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