Ugetsu Monogatari
Adapted from three different sources, Kenji Mizoguchi’s masterpiece owes a great debt of gratitude to cinematographer, Kazuo Miyagawa.
Tag Archives: cinematography
Midnight Cowboy
Released to mixed reviews in 1969, Midnight Cowboy is a landmark film that examines the then toxic topics of male identity, intimacy, sexuality and trauma.
The Passion of Joan of Arc
In Carl Theodor Dreyer’s silent masterpiece, the story isn’t so much told through Joan’s eyes as much as we read it on her face.
sex, lies, and videotape
With his Palme d’Or winning debut feature, Steven Soderbergh made a modern classic as well as a how-to manual for film students.
The Blue Angel
Few film songs come anywhere near the layered meanings of Falling in Love Again, sung by Marlene Dietrich in Josef von Sternberg’s The Blue Angel.
A Man Escaped
Robert Bresson’s masterpiece is a perfect example of less is more; natural acting, minimal music, off-screen sounds and restricting yourself to a 50mm lens.
Andrei Rublev
Perhaps the greatest ever film about an artist, Andrei Rublev steadfastly refuses to show its subject painting let alone him holding a brush in his hand.
Kind Hearts and Coronets
How do you make a film about a sociopath who murders his entire extended family and still get the audience to root for him?
Saving Private Ryan
Released to ecstatic reviews in 1998, Spielberg’s film soon suffered a backlash. Far more complex than first thought, 21 years on it has finally come of age.
Tinker Tailor Soldier Spy
If such an inscrutable character sits at the heart of John Le Carré’s labyrinthine plot, how is the adaptation such a lucid film?
Let The Right One In
The vampire genre is so ripe with themes of Christianity, paganism, sexuality, feminism, xenophobia and disease, did Let The Right One In break new ground?
Gravity
For a film that requires so many special effects in order to create the feeling of weightlessness, how did Alfonso Cuarón still keep Gravity so grounded?
Roma
Alfonso Cuarón has long flirted with the neorealist style. His latest masterpiece, Roma illustrates cinema is not about what you show, but how you show it.
Lost in Translation
Sofia Coppola’s Oscar-winning, off-beat romance deftly explores themes such as isolation, miscommunication and the superficiality of modern media.
The Double Life of Veronique
Krzysztof Kieślowski avoids all the clichés of doppelgängers, doubles and lookalikes to deliver a meditation on freedom.
Gladiator
Going into production, Gladiator had nothing near a finished script yet one simple change to the start of the story turned it into the greatest opera ever filmed.
Cold War
Despite its title, Cold War is not an espionage thriller. Instead, Pawel Pawlikowski loosely based it on his parents’ lives. But it’s not a biopic either. So what is it?
No Country for Old Men
While Cormac McCarthy’s acclaimed novel broke genre convention, the Coens’ adaptation is a study in audiovisual chaos.
The Assassination of Jesse James by the Coward Robert Ford
This western opened new frontiers for the genre; celebrity and post-traumatic stress disorder.
Aguirre, the Wrath of God
Werner Herzog’s hallucinatory telling of a Conquistador’s search for El Dorado etches a landscape of greed on the human face.
Nosferatu
Long before it was revered as a masterpiece, F.W. Murnau’s radical reimagining of Bram Stoker’s classic vampire novel had to be saved from the furnaces.
The Godfather
Regarded as the greatest gangster picture of them all, the passing years continue to reveal new layers and meanings in Francis Ford Coppola’s masterpiece.
Pather Panchali
Pather Panchali translates into English as Song of the Road, but the production was so arduous and fortuitous it should be called Song of Miracles.
Munich
Upon its release, Munich was attacked for historical inaccuracy, political naivety and moral equivalency. But it is one of Spielberg’s greatest works.
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Steven Benedict (StevenBenedict2)
Award-winning filmmaker. Podcaster, broadcaster, author and lecturer. I'm downloading the universe one app at a time.
Dublin, Ireland
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