392. Un prophète
This French masterpiece avoids all the clichés of American prison films while at the same time bearing an uncanny similarity to a 1960s’ Japanese action picture.
This French masterpiece avoids all the clichés of American prison films while at the same time bearing an uncanny similarity to a 1960s’ Japanese action picture.
Matteo Garrone’s adaptation of Roberto Saviano’s book on the Neapolitan camorra smacks down the innumerable movies that have marketed the Mafia mythology.
Why did Edmond Rostand base his play on a real-life historical figure, only to turn his writing talent into a tragedy?
Adapted from Paolo Lin’s non-fiction novel, director Fernando Meirelles cast non-actors to capture life, death and everything in-between in Rio’s favelas.
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