All films begin at a keyboard. But whether the film is about screenwriters, journalists, novelists or composers, how does cinema depict the art of writing?
Tag Archives: Coen Brothers
If the dream sequence is a crutch for many dull thrillers, horrors and mysteries, what makes a good one? One that challenges and stretches cinematic language.
The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.
Akira Kurosawa’s Rashomon is celebrated for asking what is truth. Which is more than a little ironic, because that’s not what it is really about.
Few films are as layered as The Conformist. But whether you see it as an exercise in style, character study, or philosophical thesis, it’s a flat out masterpiece.
If writers are told to write from experience, is Charlie Kaufman’s adaptation of Susan Orlean’s non-fiction book not really Kaufman’s autobiography?
When released in 1996, Fargo was seen as the Coen brothers’ breakthrough film. As the years roll by it has increasingly become a lynch pin in their canon.
To make a masterpiece about greed, media manipulation and McCarthyism, you hire a director whose background is in comedy.
Sergio Leone’s masterpiece doesn’t only reference American westerns. He also drew inspiration from an English film.
This short video-essay details the recurring thematic concerns explored by the Coen brothers over the last 30 years. Intercutting all 16 of their films, the characters appear to talk to one another across the stories.
Joel and Ethan Coen started as outsiders, but after 16 feature films they have long since become their own establishment. So where does that leave Llewyn Davis?
The youngest ever winner of the Palme d’Or at the age of 26, Steven Soderbergh declared “Well, I guess it’s all downhill from here.” How wrong he was.
When is a remake not a remake? When is it a re-imagining and not a reboot? And most pertinent of all, when are any of them ever any good?
The 66th Cannes Film Festival ended with the Palme d’Or being awarded to the director and two lead actresses of the astonishing La vie d’Adele.
“Here’s looking at you, kid.” Casablanca has more quotable lines than any other movie, but it’s the visual design that gives the film its thematic resonance.
With 4 Oscars, the Coen brothers’ adaptation of Cormac McCarthy’s acclaimed novel is a showcase of ‘less is more.’
Four actresses received Oscar nominations for their performances in All About Eve. Great script, great acting… but a great movie?
The Coen Brothers won the Palme d’Or at the 1991 Cannes Film Festival with this sardonic look at Hollywood. But is that what it is really about?