368. Andrei Rublev
Perhaps the greatest ever film about an artist, Andrei Rublev steadfastly refuses to show its subject painting let alone him holding a brush in his hand.
Perhaps the greatest ever film about an artist, Andrei Rublev steadfastly refuses to show its subject painting let alone him holding a brush in his hand.
Is Krzysztof Kieslowski’s trilogy only about liberty, equality and fraternity? Look again and you’ll find it also addresses fate, coincidence and co-existence.
Critics often chide Steven Spielberg for inappropriate optimism and not knowing when to end his films. They should reconsider Minority Report.
How well did Philip Kaufman succeed in adapting Milan Kundera’s ‘unfilmable’ philosophical love story?
Sidney Lumet hadn’t read Barry Reed’s novel when he brought it to the screen. Instead, he let David Mamet’s masterful screenplay be his guide.
Without question, Mike Nichols was one of America’s most feted entertainers. But how did he manage to break new ground and tell such compelling stories?
A box-office flop in 1994, Frank Darabont’s adaptation of Stephen King’s novella is proof that some films deserve a second chance.
Copyright © 2025 Steven Benedict. Icons by Wefunction. Designed by CMS installed by PixelApes