389. The Insider
Whether it be ethically, legally, politically, geographically or even chemically, Michael Mann’s multi-Oscar nominated picture is about crossing the line.
Whether it be ethically, legally, politically, geographically or even chemically, Michael Mann’s multi-Oscar nominated picture is about crossing the line.
Kenji Mizoguchi’s masterpiece owes a great debt of gratitude to Kazuo Miyagawa’s luminous, shimmering cinematography.
Cristian Mungiu won the Palme d’Or for his unflinching drama about a single day in the lives of two young women.
Mindhunter marks the fourth time David Fincher has depicted serial-killers. Far from resorting to tired clichés, with the second season he has again broken new ground.
Bong Joon-Ho embraced every cliché of the serial killer genre to examine masculinity, institutional repression and national identity.
This short video-essay position Ingmar Bergman’s Persona in terms of what came after it and what went before. It shows how Bergman visualised his central theme of identity.
Many great auteurs use similar styles to explore similar themes as lesser filmmakers. The only real difference is that great auteurs are more consistent and precise.
Krzysztof Kieślowski avoids all the clichés of doppelgängers, doubles and lookalikes to deliver a meditation on freedom.
When a film breaks with tradition, it is often rejected by audiences. Which may be why Zodiac was not initially recognised as the groundbreaking masterpiece it is.
Max Ophuls’ adaptation of Stefan Zweig’s novella is more than a romance; it explores memory, delusion and the meaning of art.
This is a short video-essay examining the power shift in Vikings’ Season 5. Which of Ragnar’s sons will succeed him to the throne?
Is Hitchcock’s Vertigo really the greatest film ever made? Certainly, it is a compilation of his many themes and tropes, as well as a critique on cinema itself.
In a career that spanned over sixty years, forty films and a dozen masterpieces, Persona is the most unusual film in Ingmar Bergman’s canon.
Orson Welles is celebrated for Citizen Kane but it was this adaptation of Booth Tarkington’s novel that defined his career.
Adapted from Paolo Lin’s non-fiction novel, director Fernando Meirelles cast non-actors to capture life, death and everything in-between in Rio’s favelas.
Mention Se7en and chances are talk will lead to the head in the box. But while that makes the ending so unforgettable, it’s also the film’s biggest problem.
Critics often chide Steven Spielberg for inappropriate optimism and not knowing when to end his films. They should reconsider Minority Report.
He was called The Master of Suspense (a title he coined himself), but for all the thrills did Alfred Hitchcock not make rom-coms wrapped inside mysteries?
Adapted from Loren Singer’s poorly reviewed best seller, Alan J. Pakula’s conspiracy thriller is a classic of assured pacing and paranoia.
This extended video-essay examines the application of colour in production design from A Voyage to the Moon and Ben-Hur through to Avatar and Gravity.
This video-essay addresses the abuse inflicted by men against women in cinema. The films are critically acclaimed, Oscar winners and box-office hits. WARNING: It features scenes of extreme graphic violence.
This extended video-essay charts the development and possible future of the America movie trailer. Beginning in 1912, taking in the coming of television and suggesting where it might go in the age of the internet.
If you want to change television, stop people watching it. That is just one of the many tricks behind this great adaptation of Michael Dobbs’s best-selling novels.
This extended video-essay examines the innovations at the heart of cinema, focusing on how cinema is coping with the move from Hollywood to Silicon Valley.
Copyright © 2024 Steven Benedict. Icons by Wefunction. Designed by CMS installed by PixelApes