295. The Silence of the Lambs
Jonathan Demme’s film is a classic because its Little Red Riding Hood plot mines the moral depths of its central characters.
Jonathan Demme’s film is a classic because its Little Red Riding Hood plot mines the moral depths of its central characters.
John Huston’s film of Dashiell Hammett’s classic novel was the third adaptation. How did he succeed where others had failed?
Roman Polanski’s masterpiece is often called film noir. But lacking a dark look and a femme fatale, it’s not. It’s a very rare Hollywood breed; a true tragedy.
Robert Altman’s best films capture cultures in transition. Nashville marked the moment politics and celebrity intermingled to create space for Donald Trump.
William Friedkin’s Oscar-winner may be a gritty thriller but it owes an enormous debt to a classic of 19th century American literature.
Mention Se7en and chances are talk will lead to the head in the box. But while that makes the ending so unforgettable, it’s also the film’s biggest problem.
How do you make a film about a character who can neither move nor speak, but can only blink his left eye?
Whether it be theatre, film or TV, all stories need good plots and performances. But what elevated True Detective Season 1 to the status of classic was its structure.
How can Howard Hawks’ adaptation of Raymond Chandler’s labyrinthine detective novel be heralded as a classic when it is impossible to follow?
With Steve McQueen in the title role, a legendary car-chase and a score by Lalo Schifrin, Peter Yates’ Bullitt still oozes as much cool now as it did in 1968.
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