The Insider
Whether it be ethically, legally, politically, geographically or even chemically, Michael Mann’s multi-Oscar nominated picture is about crossing the line.
Whether it be ethically, legally, politically, geographically or even chemically, Michael Mann’s multi-Oscar nominated picture is about crossing the line.
Master auteur, Abbas Kiarostami forged his career by defying conventional film grammar to successfully find new ways of presenting the human condition.
Originally titled Whore’s Gold, Clint Eastwood’s Oscar-winning western exposes the psychosis, bigotry and misogyny at the heart of the genre’s mythology.
Almost seventy years young, this Hollywood masterpiece remains in perfect condition and for our modern age, offers up unexpected and pertinent meaning.
Released to mixed reviews in 1969, Midnight Cowboy is a landmark film that examines the then toxic topics of male identity, intimacy, sexuality and trauma.
In Carl Theodor Dreyer’s silent masterpiece, the story isn’t so much told through Joan’s eyes as much as we read it on her face.
With his insightful and funny Palme d’Or winning debut feature, Steven Soderbergh made a modern classic as well as a how-to manual for film students.
Tom Wolfe’s superb account about the early days of NASA’s space program needed filmmakers who shared a daring similar to the maverick pilots.
How do you make a film about a sociopath who murders his entire extended family and still get the audience to root for him?
Released to ecstatic reviews in 1998, Spielberg’s film soon suffered a backlash. Far more complex than first thought, 21 years on it has finally come of age.
No matter how cinematic, all films are nothing more than a form of writing that borrows from other forms of writing. Which is why Arrival comes in code.
For a film that requires so many special effects in order to create the feeling of weightlessness, how did Alfonso Cuarón still keep Gravity so grounded?
Once “too revolutionary”, Dziga Vertov’s avant-garde masterpiece is now felt in Man on Fire, Ratatouille and Inception.
Werner Herzog’s hallucinatory telling of a Conquistador’s search for El Dorado etches a landscape of greed on the human face.
As the title to Edward Yang’s masterpiece indicates, Yi Yi is a series of doubles; narrative, thematic, visual and aural, that deliver a subtle family portrait.
Sergei Eisenstein devised montage for black and white and silent film. How have the elements of sound, colour and digital cinema extended his theories?
Upon its release, it seemed that Easy Rider typified the spirit of the nineteen-sixties. But it really should be viewed as the first film of the seventies.
Many films enjoy exaggerated reputations, but it is almost impossible to underestimate the beauty, truth and importance of Vittorio De Sica’s Bicycle Thieves.
How did a blasphemous, homosexual, Marxist, atheist manage to make the greatest film about the life of Jesus Christ?
William Shakespeare, Sigmund Freud, Ingmar Bergman and John Cassavetes are just some of the disparate influences on view in Thomas Vinterberg’s masterpiece.
As Hollywood found the formula for the modern blockbuster, Warren Beatty embarked on a project examining the origins of American communism.
The impact of Gillo Pontecorvo’s masterpiece is so great that it extends far beyond cinema and into terrorist organisations, as well as the US Pentagon.
All countries have troubled histories they would rather forget. The Leopard is a masterpiece that admits to those troubles as well as the failure to fix them.
Taxi Driver was written in ten days by first-time screenwriter, Paul Schrader as a means to exorcise his festering, masochistic, narcissistic anger.
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