If the dream sequence is a crutch for many dull thrillers, horrors and mysteries, what makes a good one? One that challenges and stretches cinematic language.
Tag Archives: Federico Fellini
The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.
Is Krzysztof Kieslowski’s trilogy only about liberty, equality and fraternity? Look again and you’ll find it also addresses fate, coincidence and co-existence.
If writers are told to write from experience, is Charlie Kaufman’s adaptation of Susan Orlean’s non-fiction book not really Kaufman’s autobiography?
Adapting James Grady’s straight forward thriller, Sydney Pollack delivered a commentary on dehumanising institutions.
When a filmmaker enters the realm of autobiography, the result is all too often soaked in nostalgia. Bruce Robinson’s Withnail & I is fermented in fine wine.
He may be responsible for The Godfather pictures and Apocalypse Now, but Francis Ford Coppola maintains his best film is The Conversation.
David Lean’s film of Boris Pasternack’s Nobel Prize Winning Novel whittled the sprawling epic down to a simple love story. Was it successful?
Most movies about moviemaking are trite tributes not just to cinema but also the filmmakers. Are there any that go beyond the superficiliaty of the silver screen?
This video-essay celebrates the career of Martin Scorsese, showing how he has taken cinema as a means of telling stories and expanded it as a means of personal expression.
How do you cast a movie star in a story about a Princess who does not want to be a Princess? You cast an unknown. Ladies and Gentlemen, Audrey Hepburn.
Once upon a time, in a galaxy far, far away, George Lucas built his own cinema empire. But American Graffiti, made in his hometown is his masterpiece.
With young audiences off from school, Hollywood knows there is more money to be made in the summer than at any other time.
There is more to James Bond than dry martinis, guns, gadgets and girls. His biggest contribution to cinema is the Set-Piece.