Orson Welles is often referred to as a glistening talent who wasted his early promise. Touch of Evil, the last film he made in America, proves otherwise.
Tag Archives: Francois Truffaut
Best known for his crime dramas, Martin Scorsese’s adaptation of Edith Wharton’s romantic novel, The Age of Innocence is one of his most incisive works.
Like many other cult classics, the French thriller Diva was almost still born. Rejected by the French critics and public, it got a new lease of life in the US.
When a filmmaker enters the realm of autobiography, the result is all too often soaked in nostalgia. Bruce Robinson’s Withnail & I is fermented in fine wine.
Peter Bogdanovich was New York born and bred, so how did he manage to direct a masterpiece set in small town Texas when he had never set foot in the state?
He may be responsible for The Godfather pictures and Apocalypse Now, but Francis Ford Coppola maintains his best film is The Conversation.
It took Jonathan Glazer over ten years to bring Under the Skin to the screen, but with that long gestation he might just have delivered the film of the decade.
If the executives at NBC television had not rejected Michael Mann’s TV pilot LA Takedown, we might never have seen his masterpiece, Heat.
Wes Anderson may share his surname with other directors, but there’s no mistaking his films for anybody elses.
Most movies about moviemaking are trite tributes not just to cinema but also the filmmakers. Are there any that go beyond the superficiliaty of the silver screen?
Gravity was one of last year’s biggest hits ($650m). But how much of that is due to critics giving it 98% approval? Is word of mouth more valuable?
This video-essay celebrates the career of Martin Scorsese, showing how he has taken cinema as a means of telling stories and expanded it as a means of personal expression.
Regarded as a poet of cinema, Terrence Malick’s films have rarely connected with audiences. Has he been ahead of his time or is he now running out of it?
With 4 Oscars and over $548m at the box-office, Butch Cassidy and the Sundance Kid remains the most popular western ever made.
Cameron Crowe was 16 when he went on tour with the likes of Led Zeppelin, The Who and Iggy Pop. But in recounting the tales, Crowe turned to a most unusual source.
Bonnie and Clyde marked a seminal moment in American cinema, fusing straight Hollywood genre with a European art-house aesthetic.