394. Amarcord
Like many Fellini films, Amarcord is a contradiction; an account of his youth yet a complete fabrication, a vivid realisation of the past, but also a dream.
Like many Fellini films, Amarcord is a contradiction; an account of his youth yet a complete fabrication, a vivid realisation of the past, but also a dream.
The Palme d’Or winner in 1949, Carol Reed’s masterpiece drew on covert sources and unexpected styles and techniques to deliver a melancholic mystery.
Almost seventy years young, this masterpiece offers up for our modern age unexpected and pertinent meaning.
Cristian Mungiu won the Palme d’Or for his unflinching drama about a single day in the lives of two young women.
How did Wolfgang Petersen manage to get audiences to care about a bunch of Nazi sailors trying to destroy the British fleet in the North Atlantic?
Fairytales transcend not just generations but cultures. Which may explain why La Belle et la Bête exists in so many guises and confronts so many issues.
What makes a classic film? The plot’s originality, director’s vision, or the star’s magnetism? Paradoxically, any, all, yet none of the above. It’s the audience.
As the US embraced Reaganomics and Hollywood found the formula for the modern blockbuster, Warren Beatty embarked on a project examining the origins of American communism.
A long time ago in a galaxy far, far away, George Lucas was an avant-garde filmmaker whose sole interest was in making highly experimental short films.
Beauty, Gangster, Hustle, Psycho, Sniper. With so many films using “American” in their title, is the appellation losing its significance?
Thirty-five years old, Spielberg’s classic was inspired by more than just the Saturday matinee serials he watched as a child.
The films that really changed the course of cinema are often ones few people have seen.
How did New York’s Peter Bogdanovich make a masterpiece set in small town Texas when he had never set foot in the state?
The Searchers is both a cinematic monument and an extremely unsettling depiction of the racism that lies at the heart of America’s own mythology.
This extended video-essay charts the development and possible future of the America movie trailer. Beginning in 1912, taking in the coming of television and suggesting where it might go in the age of the internet.
Belonging to a tradition that dates back to Rebel Without a Cause, Richard Linklater’s early masterpiece also owes some debt of gratitude to Robert Altman.
This 1939 children’s classic, starring Judy Garland is one of Hollywood’s most enduring pictures. But is there more to it than a pair of ruby slippers?
Once upon a time, in a galaxy far, far away, George Lucas built his own cinema empire. But American Graffiti, made in his hometown, is his masterpiece.
This video-essay examines Steven Spielberg’s career, from his days in television up until War Horse, and shows how he uses the disciplines of cinema to secure specific emotional responses.
Brazil is Terry Gilliam’s masterpiece. But when he first showed it to the studio, they didn’t know what to make of it. So they decided not to release it.
Steven Spielberg is one of Hollywood’s most influential filmmakers ever, so what accounts for his phenomenal success?
From Toy Story and Finding Nemo to Wall-E and Up, Pixar Animation seem to have the midas touch. What is the secret behind their success?
Under Rob Reiner’s direction, William Goldman’s script excised all of the supernatural elements of of Stephen King’s short story and became a surprise hit in 1986.
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