378. 4 Months, 3 Weeks and 2 Days
Cristian Mungiu won the Palme d’Or for his unflinching drama about a single day in the lives of two young women.
Cristian Mungiu won the Palme d’Or for his unflinching drama about a single day in the lives of two young women.
This video essay examines the films that influenced Stanley Kubrick (silent cinema, European arthouse, avant-garde etc.,) as well as the many films his work has since influenced.
Widely regarded as the greatest war picture ever made, Elem Klimov’s Come and See takes its title from The Book of Revelations to deliver a vision of hell.
For a film that requires so many special effects in order to create the feeling of weightlessness, how did Alfonso Cuarón still keep Gravity so grounded?
Alfonso Cuarón has long flirted with the neorealist style. His latest masterpiece, Roma illustrates cinema is not about what you show, but how you show it.
This drug fuelled tale of two youths and an older woman in search of a mythical beach is really about social connectivity.
The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.
The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.
Is Krzysztof Kieslowski’s trilogy only about liberty, equality and fraternity? Look again and you’ll find it also addresses fate, coincidence and co-existence.
What makes for a great shot? Beauty? The lens? Lighting? Combine them and you have more than just an image.
Science-fiction sometimes predicts the future. Released a decade ago, Alfonso Cuarón’s Children of Men grows more prophetic as the years go by.
In his Poetics, Aristotle wrote that drama needs a unity of space, time and action. How does cinema deal with such restrictions?
This extended video-essay examines the application of colour in production design from A Voyage to the Moon and Ben-Hur through to Avatar and Gravity.
It’s called The Fabulous Baker Boys, but it was Michelle Pfeiffer’s Oscar nominated performance that earned the film its adjective.
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