302. Festen
William Shakespeare, Sigmund Freud, Ingmar Bergman and John Cassavetes are just some of the disparate influences on view in Thomas Vinterberg’s masterpiece.
William Shakespeare, Sigmund Freud, Ingmar Bergman and John Cassavetes are just some of the disparate influences on view in Thomas Vinterberg’s masterpiece.
The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.
Is Krzysztof Kieslowski’s trilogy only about liberty, equality and fraternity? Look again and you’ll find it also addresses fate, coincidence and co-existence.
Akira Kurosawa’s Rashomon is celebrated for asking what is truth. Which is more than a little ironic, because that’s not what it is really about.
Blue is the Warmest Color generated controversy with its love scenes. But at three hours long, there’s more to it than that.
Written by Ben Affleck and Matt Damon to launch their acting careers, the studio wanted Leonardo DiCaprio and Brad Pitt.
Robin Williams was a force of nature the likes of which cinema had never seen. But what drove him to those incredible heights and then to the ultimate depth?
When is a remake not a remake? When is a re-imagining not a reboot? And most pertinent, when are any of them ever any good?
How did this film, adapted from Annie Proulx’s acclaimed short story and initially categorized as ‘the gay cowboy’ movie, go on to gross over $180m worldwide?
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