320. Cries and Whispers
Cries and Whispers was Ingmar Bergman’s fourth colour film but with a palette of just black, white and red, he still painted deep emotions and vivid dreams.
Cries and Whispers was Ingmar Bergman’s fourth colour film but with a palette of just black, white and red, he still painted deep emotions and vivid dreams.
The greatest trick the devil ever pulled was to convince the world he didn’t exist. Is this the greatest heist movie ever made?
This video-essay celebrates the career of Martin Scorsese, showing how he has taken cinema as a means of telling stories and expanded it as a means of personal expression.
Producer Irwin Yablans originally called it The Baby-Sitter Murders, and put up $325,000. Under John Carpenter’s direction, Halloween made over $70m.
With young audiences off from school, Hollywood knows there is more money to be made in the summer than at any other time.
This video-essay on Jonathan Demme’s The Silence of the Lambs examines the phenomenon of looking and shows how central it is to the horror genre.
Blake Edwards’ adaptation of Truman Capote’s novella has an enduring appeal but is far removed from its literary source.
Rosemary’s Baby was controversial before it was made. Inspired by a real-life Satanist, a sinister aura has hung around it ever since its release in 1968.
Sidney Lumet left behind a body of work comparable to the likes of Scorsese, Coppola and Altman. So why wasn’t he given them same recognition?
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