330. Aguirre, the Wrath of God
Werner Herzog’s hallucinatory telling of a Conquistador’s search for El Dorado etches a landscape of greed on the human face.
Werner Herzog’s hallucinatory telling of a Conquistador’s search for El Dorado etches a landscape of greed on the human face.
Ernest Hemingway hated what Hollywood did with his novels. The only film of his work he liked was this classic adaptation of his celebrated short story.
John Huston’s film of Dashiell Hammett’s classic novel was the third adaptation. How did he succeed where others had failed?
What makes for a great scene? Performance? Conflict? Dialogue? Visuals? Music? Combine them and you have atomic weight.
How can Howard Hawks’ adaptation of Raymond Chandler’s labyrinthine detective novel be heralded as a classic when it is impossible to follow?
“Here’s looking at you, kid.” Casablanca has more quotable lines than any other movie, but it’s the visual design that gives the film its thematic resonance.
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