The Dark Side of the Screen
Although it can be traced to German Expressionism and French Poetic-Realism, Film Noir is quintessentially an American idiom. Not a genre but a mood, it centres on fatalistic dread.
Although it can be traced to German Expressionism and French Poetic-Realism, Film Noir is quintessentially an American idiom. Not a genre but a mood, it centres on fatalistic dread.
No matter how cinematic, all films are nothing more than a form of writing that borrows from other forms of writing. Which is why Arrival comes in code.
Krzysztof Kieślowski avoids all the clichés of doppelgängers, doubles and lookalikes to deliver a meditation on freedom.
Roman Polanski’s masterpiece is often called film noir. But lacking a dark look and a femme fatale, it’s not. It’s a very rare Hollywood breed; a true tragedy.
How well did Philip Kaufman succeed in adapting Milan Kundera’s ‘unfilmable’ philosophical love story?
There have been four adaptations of Jack Finney’s novel. But what new angle could you bring to the classic sci-fi allegory?
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