270. Bonnie and Clyde
When great art heralds great change, it often experiences a difficult birth. Bonnie and Clyde is a seminal moment in American film that almost never happened.
When great art heralds great change, it often experiences a difficult birth. Bonnie and Clyde is a seminal moment in American film that almost never happened.
Despite being labelled fascist and an insult to Britain, if… won the Palme d’Or at Cannes in 1969. Almost half a century later, it still retains much of its power.
Orson Welles is often referred to as a glistening talent who wasted his early promise. Touch of Evil, the last film he made in America, proves otherwise.
The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.
Is Krzysztof Kieslowski’s trilogy only about liberty, equality and fraternity? Look again and you’ll find it also addresses fate, coincidence and co-existence.
On the surface Yasujiro Ozu’s examination of family life in post-war Japan may sound simple, but what he delivered is one of cinema’s supreme achievements.
What makes for a great shot? Beauty? The lens? Lighting? Combine them and you have more than just an image.
Few films are as layered as The Conformist. But whether you see it as an exercise in style, character study, or philosophical thesis, it’s a flat out masterpiece.
Like many other cult classics, the French thriller Diva was almost still born. Rejected by the French critics and public, it only got a second lease of life in the US.
The films that really changed the course of cinema are often ones few people have seen.
In his Poetics, Aristotle wrote that drama needs a unity of space, time and action. How does cinema deal with such restrictions?
Mixing social history, European art film and a British melodrama, Wong Kar-wai delivered a masterpiece of aching beauty.
How did New York’s Peter Bogdanovich make a masterpiece set in small town Texas when he had never set foot in the state?
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