395. The Conversation
It is said a film is made three times; writing, filming and editing. In which case, editor Walter Murch deserves enormous credit for this masterpiece.
It is said a film is made three times; writing, filming and editing. In which case, editor Walter Murch deserves enormous credit for this masterpiece.
What makes a classic film? The plot’s originality, director’s vision, or the star’s magnetism? Paradoxically, any, all, yet none of the above. It’s the audience.
If the dream sequence is a crutch for many dull thrillers, horrors and mysteries, what makes a good one? One that challenges and stretches cinematic language.
Adapted from Loren Singer’s poorly reviewed best seller, Alan J. Pakula’s conspiracy thriller is a classic of assured pacing and paranoia.
Christopher Nolan’s time-warping mind-bending classic left many audiences very confused. But the director left more than enough clues to make sense of it.
Some films generate controversy, but Alan Parker’s Angel Heart was creating quite a stir even before it was released. Was it worth the trouble?
Half a century old, how well is John Frankenheimer’s adaptation of Richard Condon’s best-selling conspiracy thriller holding up?
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