394. Amarcord
Like many Fellini films, Amarcord is a contradiction; an account of his youth yet a complete fabrication, a vivid realisation of the past, but also a dream.
Like many Fellini films, Amarcord is a contradiction; an account of his youth yet a complete fabrication, a vivid realisation of the past, but also a dream.
This 60s’ American classic mixes avant-garde with mythology to examine male identity, intimacy, sexuality and trauma.
With Frank Pierson’s Oscar-winning script, Sidney Lumet’s thriller is a masterclass in breaking the basic rules of screenwriting.
Orson Welles was one of cinema’s true geniuses but was he correct in claiming that two things cinema couldn’t honestly depict were prayer and sex?
James Ivory, Ismail Merchant and Ruth Prawer Jhabvala had been collaborating for decades when, in 1986 they delivered this mini-gem.
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