385. Unforgiven
Originally titled Whore’s Gold, Clint Eastwood’s Oscar-winning western exposes the psychosis, bigotry and misogyny at the heart of the genre’s mythology.
Originally titled Whore’s Gold, Clint Eastwood’s Oscar-winning western exposes the psychosis, bigotry and misogyny at the heart of the genre’s mythology.
This 60s’ American classic mixes avant-garde with mythology to examine male identity, intimacy, sexuality and trauma.
There has never been a more iconic and influential hairstyle in all of cinema than ‘the black helmet’ sported by Louise Brooks in Pandora’s Box.
William Friedkin’s Oscar-winner may be a gritty thriller but it owes an enormous debt to a classic of 19th century American literature.
Blighted with massacres since Biblical times, the word genocide was not coined until 1944. How has cinema faired in depicting it?
John Ford made so many great westerns, he is synonymous with the genre. But that doesn’t mean he always got everything right.
Jonathan Glazer’s film is one of the most assured debuts in cinema history. But the film has another entrance that also stands with the best of them.
The Searchers is both a cinematic monument and an extremely unsettling depiction of the racism that lies at the heart of America’s own mythology.
Although Wim Wenders’ picture won the Palme d’Or at the 1984 Cannes Film Festival, a lot of American critics thought little of it. Has time proven them wrong?
Sam Peckinpah’s masterpiece stands as a landmark western, announcing as it did the beginning of the end to the quintessential American genre.
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