Persona – After and Before
This short video-essay position Ingmar Bergman’s Persona in terms of what came after it and what went before. It shows how Bergman visualised his central theme of identity.
This short video-essay position Ingmar Bergman’s Persona in terms of what came after it and what went before. It shows how Bergman visualised his central theme of identity.
Ever wondered where snow comes from? That and other wonders – and horrors – live inside Tim Burton’s classic.
Jonathan Demme’s film is a classic because its Little Red Riding Hood plot mines the moral depths of its central characters.
The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.
The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.
How do you make a film about a character who can neither move nor speak, but can only blink his left eye?
With content pretty much always the same, what elevates one concert movie above others is not just the quality of the music, it is also the film’s form.
Nicolas Winding Refn’s film focuses on Ryan Gosling’s nameless getaway driver. But its best scene involves a vehicle of an entirely different kind.
The studios didn’t like the script and no one wanted to play the heroic Treasury Agent, Eliot Ness. So how did The Untouchables turn out to be such a success?
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