387. The Third Man
The Palme d’Or winner in 1949, Carol Reed’s masterpiece drew on covert sources and unexpected styles and techniques to deliver a melancholic mystery.
The Palme d’Or winner in 1949, Carol Reed’s masterpiece drew on covert sources and unexpected styles and techniques to deliver a melancholic mystery.
Nostalgia originally had nothing to do with the past but rather a desire to return home. Cinema Paradiso resonates with the feeling that cinema is your home.
Alfonso Cuarón has long flirted with the neorealist style. His latest masterpiece, Roma illustrates cinema is not about what you show, but how you show it.
This drug fuelled tale of two youths and an older woman in search of a mythical beach is really about social connectivity.
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