399. The Irishman
The gangster genre is dominated by men, but in Martin Scorsese’s The Irishman the most important position is held by a woman who utters barely a dozen words.
The gangster genre is dominated by men, but in Martin Scorsese’s The Irishman the most important position is held by a woman who utters barely a dozen words.
What makes for a great opening? Character? Conflict? Poetry? Hopefully, more than something we’re supposed to just listen to.
Like the novel, Revolutionary Road so probed its subject audiences stayed away. Their loss. It is Sam Mendes’ best film.
Originally pitched as a simple story of revenge, under Alejandro Inarritu’s direction The Revenant became a journey of spiritual release.
Nature sank the luxury liner, but as his $200m production spiralled out of control it was James Cameron who proved himself to be unsinkable.
It’s called The Fabulous Baker Boys, but it was Michelle Pfeiffer’s Oscar nominated performance that earned the film its adjective.
This video-essay celebrates the career of Martin Scorsese, showing how he has taken cinema as a means of telling stories and expanded it as a means of personal expression.
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