317. The Cook the Thief his Wife & her Lover
First seen as a critique of Thatcherism, this now lives in the era of MeToo and Time’s Up.
First seen as a critique of Thatcherism, this now lives in the era of MeToo and Time’s Up.
5 Oscar nominations, 4 Cesar wins, 2 BAFTAs and over $170m at the global box office. So why does Amélie still manage to polarise audiences?
Science-fiction sometimes predicts the future. Released a decade ago, Alfonso Cuarón’s Children of Men grows more prophetic as the years go by.
Made in 1944, Gaslight is an Oscar-winning melodrama concerning madness and murder. The film itself is guilty of attempted homicide.
To call David Lynch a surrealist is to misses the point. This masterpiece proved he is one of cinema’s great humanists.
Repulsion was Roman Polanski’s first film he made after defecting from communist Poland. Its depiction of mental disintegration is also his first masterpiece.
Poison Pen is a feature film I co-directed as part of FilmBase/Staffordshire University Masters in Digital Feature Film Production. Written by best-selling author, Eoin Colfer it is a romantic-comedy about an author with writer’s block struggling in the world of gossip magazines.
A lot of people don’t like this because it beat Saving Private Ryan to the Best Picture Oscar. Is the prejudice justified?
How important is a film’s title? Would this film have been such a huge hit had it been called Girls In Big White Dresses?
LA Confidential is adapted from James Ellroy’s highly regarded crime novel that spans seven scandalous years in the life of Los Angeles.
The Bourne Trilogy was a shot in the arm to the action genre and each new installment raised the expectation as to what an action picture can do and say.
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