Tag Archives: Lumière Brothers

376. The Passion of Joan of Arc

In Carl Theodor Dreyer’s silent masterpiece, the story isn’t so much told through the Saint’s eyes as it is read on her face.

352. Roma

Alfonso Cuarón has long flirted with the neorealist style. His latest masterpiece, Roma illustrates cinema is not about what you show, but how you show it.

338. Man with a Movie Camera

Once “too revolutionary”, Dziga Vertov’s avant-garde masterpiece is now felt in Man on Fire, Ratatouille and Inception.

308. Wadjda

Precious few films celebrate the joys of riding a bike. Haifaa Al Mansour’s Wadjda is more than just a celebration; it is a dissection of an entire culture.

303. Blowup

Originally titled A Girl, a Photographer and a Beautiful April Morning, Michelangelo Antonioni’s Palme d’Or winner is still as enigmatic fifty years on.

296. Un Chien Andalou

This film lasts seventeen minutes, features mutilation, insects and dismemberment. Yet it is one of the most influential ever made.

254. Amélie

5 Oscar nominations, 4 Cesar wins, 2 BAFTAs and over $170m at the global box office. So why does Amélie still manage to polarise audiences?

201. The Most Influential Films Ever Made – Part One

The films that really changed the course of cinema are often the ones few people have seen.

197. Reel Space/Time – Part One

In his Poetics, Aristotle wrote that drama needs a unity of space, time and action. How does cinema deal with such restrictions?

167. Sexy Beast

Jonathan Glazer’s film is one of the most assured debuts in cinema history. But the film has another entrance that also stands with the best of them.

American Trailers

This extended video-essay charts the development and possible future of the America movie trailer. Beginning in 1912, taking in the coming of television and suggesting where it might go in the age of the internet.

112. Dazed and Confused

Belonging to a tradition that dates back to Rebel Without a Cause, Richard Linklater’s early masterpiece also owes some debt of gratitude to Robert Altman.


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