The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.
Tag Archives: Martin Scorsese
Best known for his crime dramas, Martin Scorsese’s adaptation of Edith Wharton’s romantic novel, The Age of Innocence is one of his most incisive works.
In a career that spanned over sixty years, forty films and a dozen masterpieces, Persona is the most unusual film in Ingmar Bergman’s canon.
What makes for a great shot? Beauty? The lens? Lighting? Combine them and you have something that amounts to more than just an image.
Few films are as layered as The Conformist. But whether you see it as an exercise in style, character study, or philosophical thesis, it’s a flat out masterpiece.
Orson Welles’ debut feature is now a quarter of a century old. Have we been taking its greatness for granted or is it time for reappraisal?
Adapted from Paolo Lin’s non-fiction novel, director Fernando Meirelles cast non-actors to capture life, death and everything in-between in Rio’s favelas.
What makes for a great scene? Performance? Conflict? Dialogue? Visuals? Music? Combine them and you have atomic weight.
Beauty, Gangster, Hustle, Psycho, Sniper. With so many films using “American” in their title, is the appellation not in danger of losing its significance?
Thirty-five years old, Spielberg’s classic was inspired by more than just the Saturday matinee serials he watched as a child.
The films that really changed the course of cinema are often ones few people have seen.
David Lynch’s shocking and mesmerising look at suburbia’s underbelly also showed he could turn popular music into a nightmare.
GoodFellas is more than just a breathless tale of middle-management in the Mafia. It’s one of Martin Scorsese’s many films in which he seeks enlightenment.
With content pretty much always the same, what elevates one concert movie above others is not just the quality of the music, it is also the film’s form.
The Searchers is both a cinematic monument and an extremely unsettling depiction of the racism that lies at the heart of America’s own mythology.
This short video-essay compares and contrasts the ways both Martin Scorsese and Orson Welles present the corrupting forces of wealth and power. Their narratives may be similar but they yield different results.
Sergio Leone’s masterpiece doesn’t only reference American westerns. He also drew inspiration from an English film.
This video-essay addresses the abuse inflicted by men against women in cinema. The films are critically acclaimed, Oscar winners and box-office hits. WARNING: It features scenes of extreme graphic violence.
This extended video-essay examines the innovations at the heart of cinema, focusing on how cinema is coping with the move from Hollywood to Silicon Valley.
In a career featuring several masterpieces, Raging Bull is considered Martin Scorsese’s greatest achievement. But what did he achieve in making it?
It’s called The Fabulous Baker Boys, but it was Michelle Pfeiffer’s Oscar nominated performance that earned the film its adjective.
Modern sequels slavishly repeat the formula of the original. So how would you make a sequel to a film that was already regarded as one of the best films of all time?
Wes Anderson may share his surname with other directors, but there’s no mistaking his films for anybody elses.
Based on Jim Thompson’s grimey story about smalltime criminals, Stephen Frears’ film was robbed when it didn’t win a single Oscar from its four nominations.