283. Dog Day Afternoon
With Frank Pierson’s Oscar-winning script, Sidney Lumet’s thriller is a masterclass in breaking the basic rules of screenwriting.
With Frank Pierson’s Oscar-winning script, Sidney Lumet’s thriller is a masterclass in breaking the basic rules of screenwriting.
If writers are told to write from experience, is Charlie Kaufman’s adaptation of Susan Orlean’s non-fiction book not really Kaufman’s autobiography?
Wes Anderson may share his surname with other directors, but there’s no mistaking his films for anybody elses.
Tootsie tackled 1980s’ chauvanism by disguising a man as a woman. Hilarious as it was, the tradition can be traced as far back as Homer’s Illiad.
If it was originally called The Man Who Came To Play and took place in a Las Vegas casino, how did the story end up taking place in Vietnam during the war?
With a story based around ABBA songs, and a stage musical that had rung up over $1b in sales, Mamma Mia! was always going to be a hit.
Nora Ephron left behind a formidable legacy of films. While most of them were romantic comedies, her impact was wider than just one genre.
A landmark of British cinema from 1947, this frightening psychological drama involves a group of English nuns living high in the Himalayas.
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