358. Memories of Murder
Bong Joon-Ho embraced every cliché of the serial killer genre to examine masculinity, institutional repression and national identity.
Bong Joon-Ho embraced every cliché of the serial killer genre to examine masculinity, institutional repression and national identity.
Reviled upon its release and long out of circulation, the influence of Michael Powell’s Peeping Tom is now to be found in the most unexpected places.
Critics often chide Steven Spielberg for inappropriate optimism and not knowing when to end his films. They should reconsider Minority Report.
This extended video-essay examines the innovations at the heart of cinema, focusing on how cinema is coping with the move from Hollywood to Silicon Valley.
It took Jonathan Glazer over ten years to bring Under the Skin to the screen, but with that long gestation he might just have delivered the film of the decade.
Belonging to a tradition that dates back to Rebel Without a Cause, Richard Linklater’s early masterpiece also owes some debt of gratitude to Robert Altman.
Most movies about moviemaking are little more than trite tributes. Are there any that go beyond the surface of the silver screen?
He may make blockbusters, but Christopher Nolan’s tastes lean more to art house cinema. So what are his films really about?
Oscars are awarded to the ‘best’ of each year, but is excellence the real reason why the Academy of Motion Picture Arts and Sciences was first established?
Robert Altman was one of the great mavericks of American cinema. But even iconoclasts have to stand for something, so what did Altman believe in?
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