311. Peeping Tom
Reviled upon its release and long out of circulation, the influence of Michael Powell’s Peeping Tom is now to be found in the most unexpected places.
Reviled upon its release and long out of circulation, the influence of Michael Powell’s Peeping Tom is now to be found in the most unexpected places.
Francois Truffaut once claimed ‘cinema’ and ‘Britain’ were incompatible. Powell and Pressburger proved him wrong.
This film lasts seventeen minutes, features mutilation, insects and dismemberment. Yet it is one of the most influential ever made.
What makes for a great opening? Character? Conflict? Poetry? Hopefully, more than something we’re supposed to just look at.
David Lean’s enduring masterpiece is a rare breed; an epic but also a portrait that refuses to explain its enigmatic subject.
Robert Altman’s best films capture cultures in transition. Nashville marked the moment politics and celebrity intermingled to create space for Donald Trump.
How do you make a film about a character who can neither move nor speak, but can only blink his left eye?
Released in 1996, Trainspotting was accused of promoting drug abuse. But really, it was a much needed shot in the arm for British cinema.
With young audiences off from school, Hollywood knows there is more money to be made in the summer than at any other time.
This video-essay on Jonathan Demme’s The Silence of the Lambs examines the phenomenon of looking and shows how central it is to the horror genre.
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