379. Midnight Cowboy
This 60s’ American classic mixes avant-garde with mythology to examine male identity, intimacy, sexuality and trauma.
This 60s’ American classic mixes avant-garde with mythology to examine male identity, intimacy, sexuality and trauma.
While mostly remembered for John Travolta’s dancing, his white suit hides misogyny, racism, homophobia and gang rape.
Upon its release, it seemed that Easy Rider typified the spirit of the nineteen-sixties. But it really should be viewed as the first film of the seventies.
As the US embraced Reaganomics and Hollywood found the formula for the modern blockbuster, Warren Beatty embarked on a project examining the origins of American communism.
With Frank Pierson’s Oscar-winning script, Sidney Lumet’s thriller is a masterclass in breaking the basic rules of screenwriting.
When we think of American cinema in the seventies, all too often we all too quickly think of the great directors. But what of the cinematograph-auteurs?
Orson Welles was one of cinema’s true geniuses but was he correct in claiming that two things cinema couldn’t honestly depict were prayer and sex?
To make a masterpiece about greed, media manipulation and McCarthyism, you hire a director whose background is in comedy.
Earning 5 Oscar nominations and $600m around the globe, the success (and controversy) of Fatal Attraction should be squarely laid at the feet of its producers.
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