396. L’Avventura
With this modernist masterpiece, Michelangelo Antonioni told a story that abandoned its initial plot. Booed at Cannes, it paved the way for a new cinematic form.
With this modernist masterpiece, Michelangelo Antonioni told a story that abandoned its initial plot. Booed at Cannes, it paved the way for a new cinematic form.
Is Krzysztof Kieslowski’s trilogy only about liberty, equality and fraternity? Look again and you’ll find it also addresses fate, coincidence and co-existence.
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