349. The Matrix
Science-Fiction operates in many ways; fantasy, allegory, romance, satire and speculative. Another is prophecy. Twenty years on The Matrix seems eerily prescient.
Science-Fiction operates in many ways; fantasy, allegory, romance, satire and speculative. Another is prophecy. Twenty years on The Matrix seems eerily prescient.
When a film breaks with tradition, it is often rejected by audiences. Which may be why Zodiac was not initially recognised as the groundbreaking masterpiece it is.
In The Marriage of Maria Braun, Rainer Werner Fassbinder mixed Hollywood melodrama, historical drama and political indictment.
Reviled upon its release and long out of circulation, the influence of Michael Powell’s Peeping Tom is now to be found in the most unexpected places.
Taxi Driver was written in ten days by first-time screenwriter, Paul Schrader as a means to exorcise his festering, masochistic, narcissistic anger.
The influence of Fritz Lang’s Metropolis extends far beyond sci-fi and can be seen in films are varied as Casablanca, An American in Paris and The Birds.
The plot to Miller’s Crossing is so complex, it’s hard to even figure out where and when it is set. And that’s before we discuss the meaning of Tom Reagan’s hat.
The Cabinet of Dr. Caligari’s influence is so great it reaches far beyond horror and into sci-fi, thrillers, and historical romances.
Jean-Pierre Melville’s masterpiece is so influential, even if you haven’t seen it… you have seen it because you’ve seen dozens of films influenced by it.
Ernest Hemingway hated what Hollywood did with his novels. The only film of his work he liked was this classic adaptation of his celebrated short story.
Orson Welles is often referred to as a glistening talent who wasted his early promise. Touch of Evil, the last film he made in America, proves otherwise.
John Huston’s film of Dashiell Hammett’s classic novel was the third adaptation. How did he succeed where others had failed?
Roman Polanski’s masterpiece is often called film noir. But lacking a dark look and a femme fatale, it’s not. It’s a very rare Hollywood breed; a true tragedy.
Few films are as layered as The Conformist. But whether you see it as an exercise in style, character study, or philosophical thesis, it’s a flat out masterpiece.
In adapting Peter Moffat’s original BBC series, Criminal Justice how did Steven Zaillian and Richard Price turn it from a legal thriller into a social drama?
When released in 1996, Fargo was seen as the Coen brothers’ breakthrough film. As the years roll by it has increasingly become a lynch pin in their canon.
Mention Se7en and chances are talk will lead to the head in the box. But while that makes the ending so unforgettable, it’s also the film’s biggest problem.
David Lynch’s shocking and mesmerising look at suburbia’s underbelly also showed he could turn popular music into a nightmare.
Until 1964, Stanley Kubrick had suffered years of set-backs, disappointments and frustration. But he made his reputation with this satire on nuclear war.
How can Howard Hawks’ adaptation of Raymond Chandler’s labyrinthine detective novel be heralded as a classic when it is impossible to follow?
With six Oscars, five WGAs, a DGA and the Palme d’Or, Billy Wilder’s career was so blazing you’d be forgiven for saying, “Well, somebody’s perfect.”
If jazz really is the authentic American art form, why are there so few great jazz movies? No matter, at least there are dozens of great jazz soundtracks.
Joan Crawford’s portrayal of martyred mother Mildred Pierce is the stuff of legend. It not only won her an Oscar but provided her with a career defining role.
Based on Jim Thompson’s grimey story about smalltime criminals, Stephen Frears’ film was robbed when it didn’t win a single Oscar from its four nominations.
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