The Dark Side of the Screen
Although it can be traced to German Expressionism and French Poetic-Realism, Film Noir is quintessentially an American idiom. Not a genre but a mood, it centres on fatalistic dread.
Although it can be traced to German Expressionism and French Poetic-Realism, Film Noir is quintessentially an American idiom. Not a genre but a mood, it centres on fatalistic dread.
This short video-essay compares various themes and techniques that Alfred Hitchcock developed over his career. With 40 titles, it includes every feature film Hitchcock made from 1934 through to his retirement in 1976.
Forget Vertigo. Alfred Hitchcock’s greatest film is Notorious. With his usual McGuffin, he wrapped a paranoid love story inside an espionage thriller about genocide.
If small details are the important, this is really about a woman’s quest for significance and a man’s need for a make-over.
Regarded as the greatest gangster picture of them all, the passing years continue to reveal new layers and meanings in Francis Ford Coppola’s masterpiece.
Often called the greatest thriller Hitchcock never made, Les Diaboliques is based on a book written to catch the attention of the Master of Suspense.
Is Hitchcock’s Vertigo really the greatest film ever made? Certainly, it is a compilation of his many themes and tropes, as well as a critique on cinema itself.
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