390. Cléo from 5 to 7
In Agnes Varda’s classic, Corrine Marchand plays one woman; happy Cléo and anxious Florence, walking about Paris in real time awaiting her medical results.
In Agnes Varda’s classic, Corrine Marchand plays one woman; happy Cléo and anxious Florence, walking about Paris in real time awaiting her medical results.
There are several good reasons to watch Bernardo Bertolucci’s controversial drama. Not all of them make for palatable viewing.
Of the four adaptations of Octave Mirbeau’s controversial novel, Luis Buñuel’s version is by far the most faithful… and radical.
Despite its title, Cold War is not an espionage thriller. Instead, Pawel Pawlikowski loosely based it on his parents’ lives. But it’s not a biopic either. So what is it?
Once “too revolutionary”, Dziga Vertov’s avant-garde masterpiece is now felt in Man on Fire, Ratatouille and Inception.
With his Palme d’Or winning masterpiece, Jacques Demy wove more than a musical. He delivered a socially relevant story worthy of tragic opera.
Jean-Pierre Melville’s masterpiece is so influential, even if you haven’t seen it… you have seen it because you’ve seen dozens of films influenced by it.
5 Oscar nominations, 4 Cesar wins, 2 BAFTAs and over $170m at the global box office. So why does Amélie still manage to polarise audiences?
Best known for his crime dramas, Martin Scorsese’s adaptation of Edith Wharton’s romantic novel is one of his most incisive works.
Like many other cult classics, the French thriller Diva was almost still born. Rejected by the French critics and public, it only got a second lease of life in the US.
If jazz really is the authentic American art form, why are there so few great jazz movies? No matter, at least there are dozens of great jazz soundtracks.
The Bourne Trilogy was a shot in the arm to the action genre and each new installment raised the expectation as to what an action picture can do and say.
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