318. Battleship Potemkin
Sergei Eisenstein devised montage for black and white and silent film. How have sound, colour and digital extended his theories?
Sergei Eisenstein devised montage for black and white and silent film. How have sound, colour and digital extended his theories?
First seen as a critique of Thatcherism, this now lives in the era of MeToo and Time’s Up.
In adapting Karen Blixen’s short story, Gabriel Axel chose to omit the politics and focus on the religious parable. But really, it works best as a recipe for life.
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