349. The Matrix
Science-Fiction operates in many ways; fantasy, allegory, romance, satire and speculative. Another is prophecy. Twenty years on The Matrix seems eerily prescient.
Science-Fiction operates in many ways; fantasy, allegory, romance, satire and speculative. Another is prophecy. Twenty years on The Matrix seems eerily prescient.
Are classics always instantly recognized? If ever there were proof that critics cannot assess a film’s merits on a single viewing, it is Ridley Scott’s masterpiece.
Philip K Dick was haunted by many dark visions of the future. None more frightening than his alternate-history from 1962.
Critics often chide Steven Spielberg for inappropriate optimism and not knowing when to end his films. They should reconsider Minority Report.
Christopher Nolan’s time-warping mind-bending classic left many audiences very confused. But the director left more than enough clues to make sense of it.
This video-essay on Blade Runner examines how Ridley Scott visualizes the film’s numerous and seemingly disparate themes of urbanity, ecology, identity and mortality.
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